was born in 1748 in Lochowitz (Lochovice) in Bohemia, after his education in Prague on the oboe and the cello he came Wallerstein 1774 in southern Germany, where he worked until 1777 as an oboist of the Prince of Oettingen-Wallerstein. He then went to Munich and later to Salzburg court orchestra of the Archbishop of the. From around 1783, he played for health reasons no oboe, but moved his game on the viol and the cello. In 1785 he moved to Vienna to something later in Russia some time a court orchestra for Count Orlov-Cesmenskij build. From 1792 to his death in 1816, he worked at the court of the Prince of Fürstenberg in Donaueschingen.
Concerto in Dis (Eb major) for Horn or English Horn and Orchestra
The copies come from the archives of Count Clam-Gallas, which is preserved today in Prague.
In Title only the horn is listed as a solo instrument, the copy is your own part with the label "Talie principals" in. As Talie - right Taille (de HautBois) - instruments are designated voted oboes tenor and F. They were up to the end of the 18th century. In use and Fiala was one of the last composers who used them. Whether Fiala really is the composer of this work, it remains unclear the musical characteristic style of the work is not unique to him. Narrated by Fiala is a Concerto for 2 Horns. From a Concerto for French horn there is an indication of a preserved Program List of Liebhaber-Concert of 2 March 1786 court orchestra of the Prince of Oettingen-Wallerstein.
One reason for the extremely high position of solo horn, there is not a single case, however, this concert is not. A performance will be done safely in the majority by the English horn. In addition, a Corno da caccia edited voice in Bb.
The edition is done as a community edition of Robert Ostermeyer Music Edition and befoco music (www.befoco.de - bfc122)
More about Joseph Fiala they experienced to french-horn.net
